‘My Father’s Shadow’ Review: A Groundbreaking Nigerian Film at Cannes
*My Father’s Shadow*, directed by Akinola Davies Jr., marks Nigeria’s debut at the Cannes Film Festival, telling an intimate story set on June 12, 1993, during a crucial election. Through the eyes of two young brothers, Akin and Remi, the film explores father-son dynamics against the backdrop of political chaos, revealing deeper narratives about family and hope alongside historical events in Lagos.
Akinola Davies Jr.’s debut film, My Father’s Shadow, makes history as the first Nigerian film showcased at the Cannes Film Festival. Set against the backdrop of June 12, 1993—an important day for Nigerian politics—this beautifully crafted piece focuses on two boys in Lagos navigating their childhood amid significant societal turmoil. The narrative unfolds within a day marked by the announcement of elections, with hopes of political change looming over the populace.
The brothers, Akin and Remi, portrayed by Godwin Chimerie Egbo and Chibuike Marvellous Egbo respectively, grapple with their mundane worries one moment and find themselves steeped in familial tensions the next. Their day begins with typical sibling squabbles—sharing toys and avoiding the oppressive heat—until their father, Folarian, played by Sopé Dirisu, disrupts their play. His presence is intimidating, as if he has cast an ominous shadow over the seemingly ordinary day.
Akinola Davies Jr. skillfully employs a lyrical approach reminiscent of other notable filmmakers. Working with cinematographer Jermaine Edwards, the film captures the essence of childhood through intimate shots that evoke a sense of wonder and nostalgia, drawing comparisons with works like Raven Jackson’s All Dirt Roads Taste of Salt. The sounds of everyday life provide an immersive atmosphere, with the distant rustle of leaves and the hum of insects framing the narrative.
As the plot deepens, the day transforms from ordinary to extraordinary. Folarian, who initially appears emotionally distant, takes the brothers on an unplanned adventure in Lagos. Their ride on the danfo—informal mini-buses—opens a window into the vibrant life of the city. The air fills with conversation as passengers discuss current events, grounding the boys in the realities of their political landscape.
As they venture further, Akin and Remi discover more about their father’s history through friends he encounters along the way. The narrative shifts into a series of vignettes that, while at times may feel disjointed, are underscored by meaningful exchanges between the boys and their father. The tender moments reveal the internal struggle Folarian faces, walking the line between familial duty and his own moral dilemmas.
The film’s pacing initially flows gently, featuring everyday challenges interspersed with growing tensions. However, as night falls and the election results loom, a sense of urgency escalates. The city grows chaotic as might becomes reality, with curfews and militarized patrols rising in response to emerging violence. This heightening anxiety draws upon the chilling poetry of Chris Abani, reflecting the grim consequences of political unrest.
In these final moments, My Father’s Shadow elevates its commentary, linking the fractured nature of Nigerian society with the fragile family dynamic at its core. The film marks Akinola Davies Jr.’s significant entry into filmmaking, promising a bright future as he expertly weaves personal and political narratives. As for the stunning visuals and meticulous storytelling, My Father’s Shadow captivates audiences, making for a profound viewing experience extended by its historical significance in the film industry.
My Father’s Shadow is produced by esteemed companies like BBC Film and the British Film Institute, focusing on its intimate yet expansive exploration of Lagos. The film features a capable cast, with strong performances from the Egbo brothers and Dirisu, emphasizing the emotional weight carried throughout this heartfelt narrative.
In summary, Akinola Davies Jr.’s *My Father’s Shadow* represents a significant milestone as Nigeria’s first film showcased at Cannes. Anchored by its exploration of father-son relationships and the complexities of political unrest, the film offers an intimate look at life in Lagos amidst a vital historical backdrop. The blend of captivating cinematography and poignant storytelling not only highlights personal struggles but also mirrors larger societal tensions, setting the stage for Davies Jr.’s promising career in filmmaking.
Original Source: www.hollywoodreporter.com
